Sunday, 22 January 2012

CORIOLANUS

CORIOLANUS


Ralph Fiennes brings Shakespeare to the screen for his directorial debut which may come as no surprise to many who are familiar with his work away from Harry Potter. What would have been a surprise? If he had decided to make an all guns blazing action CGI weapon laden  robot army gunning  down wizards competing for mythical lands with a well oiled Gerard Butler leading the charge, now that would have been a surprise but I debut Kenneth Branagh would be happy? So for him to bring Coriolanus to the screen for the first time was a brave one like most modern adaptions of Shakespeare screen writer John Logan has applied a contemporary narrative to the play flattening the complexities of the original text and simplifying story the, taking the war and political aspects of the play and playing it out through the media giving it a populist spin by using real life news anchorman JON SNOW (playing himself) as a unintruesive narrator of sorts. This plot device came in handy when  pacifying an increasingly annoying girl who felt the need to be spoon fed the entire film by her partner who was equally uniformed and even going on to tell her 'I think their in Afghanistan'. Ralph Fiennes plays down the theatricals as the brilliant Roman general Caius Martius Coriolanus ( I had hoped for a more bombastic and arrogant portrayal of Coriolanus taking on board the historic as well as the Shakespearian text) and arch nemesis and enemy of Rome Aufidius played by the aforementioned Gerard Butler. 


The film has a linear flow to it  moving from the conquering hero, enter the scheming  opposition of Brutus (James Nesbitt) and Sicinius (Paul Jesson) fueling a popular up rising that results in the exile from Rome of Coriolanus. Wrapped only in his blanket of vengeance  he seeks out Aufidius, trekking through a depressing Serbian landscape to Volscia  an unrecognizable  Coriolanus offers his life to spite the country that banished him, but  Aufidius takes pity on him and allows him to lead the assault on Rome. 
Jon Snow pops up to warn us of the approaching Volscian  troops lead by Coriolanus, the fallen general rises like a Phoenix from the ashes on route to take back land that abandoned him as the army fails to withstand his approach and the politicians run scared their last hope is his mother ( just think how many wars could have been avoided if the power that be had just sent in their mums) yes his mother volumnia who persuades him to dissuade from destroying Rome. The role of Volumnia is devoured by Vanessa Redgrave the harsh love she exhibits is uncomfortable but very watchable both hers and Brian (Man hunter) Cox as Menenius are the standout performances in what I predict to be the first of many attempts to reinterpret this play. As much as I loved the film there were a few niggles I need to get off my chest the supposed riots felt bit subdued I've seen more violence seen at a guest designer sales at H&M and the Jeremy Kyle style uprising in the TV studio was a little jarring. 


Verdict: When it comes to re-inventing Shakespeare BAZ LUHRMANN's Romeo and Juliet  has set such a high bench mark it's  going to be hard match visually or narratively.
TWO THUMBS


THIS IS HOW IT'S DONE


CORIOLANUS


Screenings at cornerhouse amc odeon



OTHER SHAKESPEARE SCREEN ADAPTATIONS

The Taming of the Shrew, (1929), featuring Douglas Fairbanks and Mary Pickford.

Romeo and Juliet, (1935). Directed by George Cukor.

A Midsummer Night's Dream, (1935). Directed by Max Reinhardt and William Dieterle.

As You Like It, (1936). Directed by Paul Czinner.

Henry V, (1945). Directed by Lawrence Olivier. 

Macbeth, (1948). Directed by Orson Welles (War of the Worlds, Animal Farm, 1984).

Hamlet, (1948). Directed. by Lawrence Olivier.

Othello, (1952). Directed by Orson Welles. 

Julius Caesar, (1953). Directed by Joseph L. Mankiewicz.

Romeo and Juliet, (1954). Directed by Renato Castellani. 

Richard III, (1955). Directed by Lawrence Olivier. 

Othello, (1956). Directed by Sergei Jutkevitsh. 

Forbidden Planet (based on The Tempest), (1956). Directed by Fred M. Wilcox. 

Throne of Blood / The Castle of the Spider's Web / Cobweb Castle (1957), (derived from Macbeth). Directed by Akira Kurosawa.

The Tempest (1960), (TV) starring Richard Burton. Directed by George Schaefer.

Hamlet (1964), starring Richard Burton. Directed by Bill Colleran and John Gielgud.

Hamlet, (1964), directed by Grigori Kozintsev.

The Taming of the Shrew, (1967), starring Elizabeth Taylor and Richard Burton. Directed by Franco Zeffirelli

Romeo and Juliet, (1968), directed by Franco Zeffirelli. 

King Lear, (1970), directed by Peter Brook. 

King Lear, (1970), directed by Grigori Kozintsev.

Macbeth, (1972), directed by Roman Polanski (Bitter Moon).

Antony and Cleopatra, (1974), starring Patrick Stewart and Ben Kingsley. Directed by Trevor Nunn and John Schoffield.

Comedy of Errors (1978), starring Judi Dench and Francesca Annis and directed by Philip Casson and Trevor Nunn.

Hamlet, Prince of Denmark, (1980), (BBC-TV) starring Patrick Stewart and directed by Rodney Bennett.

The Merry Wives of Windsor, (1982), (BBC-TV), starring Ben Kingsley and directed by David Hugh Jones.

The Tempest, (1982), directed by Paul Mazursky. 

Ran (1985), (based on King Lear), directed by Akira Kurosawa. 

King Lear, (1987), directed by Jean-Luc Godard. 

Henry V, (1989), directed by Kenneth Branagh. 

Romeo and Juliet, (1990), starring Francesca Annis, Vanessa Redgrave and Ben Kingsley. Directed by Armando Acosta II.

Hamlet, (1991), directed by Franco Zeffirelli. 

Prospero's Books, (1991), (based on The Tempest), directed by Peter Greeneway. 

As You Like It, (1992), directed by Christine Edzard.

Much Ado about Nothing, (1993), directed by Kenneth Branagh.

Othello, (1995), directed by Oliver Parker. 

William Shakespeare's Romeo and Juliet, (1996), starring Leonardo Di Caprio and Claire Danes. Directed by Baz Luhrman.

Hamlet, (1996), starring Kenneth Branagh, Richard Attenborough, Judi Dench, Billy Crystal and Kate Winslet. Directed by Kenneth Branagh. 

Twelfth Night, (1996), starring Helena Bonham Carter, Nigel Hawthorne, Ben Kingsley, Imogen Stubbs and Mel Smith. Directed by Trevor Nunn. 

Looking for Richard, (1996), directed by Al Pacino. 

Shakespeare in Love, (1998), starring Gwyneth Paltrow, Geoffrey Rush and Judi Dench. Directed by John Madden, written by Marc Norman and Tom Stoppard. Loosely inspired by Cesario / Viola of Twelfth Night Or What You Will and Romeo and Juliet.

10 Things I Hate About You, (1999), (based on The Taming of the Shrew), starring Julia Stiles and Heather Ledge. Directed by Gil Junger.

A Midsummer’s Night's Dream, (1999), starring Calista Flockhart, Michelle Pfiffer. Directed by Michael Hoffman. 

Love's Labour’s Lost, (2000), directed by Kenneth Branagh.
Hamlet 2000, starring Ethan Hawke, Julia Stiles, Kyle MacLachlan. Directed by Michael Almereyda

MONTY PYTHON'S HAMLET



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